Animated Mythology (Part 2)

Still shot from Ponyo, directed by Hayao Miyazaki, 2008.
Still shot from Ponyo, directed by Hayao Miyazaki, 2008.

Hayao Miyazaki is not only a brilliant animator but also an ingenius creator of new mythologies. Many of his animated features exhibit wonderful imagination and originality in this regard. A common device which he uses very effectively is anachronism, the combining of elements from different periods of history and prehistory.

Take, for example, Ponyo from 2008. It superimposes images of Devonian fishes and invertebrates on those of a more modern Japan. These serve as effective symbols of his ecological theme. Of course there is the mythological element as well. The title character is the daughter of a sea goddess (Granmamere) and a scientist/wizard (Fujimoto), and the ecological and spiritual themes are interwoven.

This story is a wonderful and beautifully drawn reinvention of The Little Mermaid by Hans Christian Andersen. It is made more endearing by the truly touching portrayal of friendship between Ponyo and a little boy (Sosuke) to whom she becomes devoted. The supernatural love story aspect of the movie employs an element from many ancient mythologies: relationships between divine and mortal characters.

Next week, I will take a look at one more animated feature from this celebrated director.

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