Mythology on Canvas (Part 17)

After reviewing so many paintings by various Pre-Raphaelite artists, I was struck by some similarities I would like to review through two sets of paintings which I have titled The Power of Three and Out of the Tree.

The Power of Three

The use of three central figures seems to recur quite a bit. I wonder if this number is the highest that can maximize visual impact while avoiding clutter. In this sense, the careful arrangement of three can be elegant.

Clyties of the Mist by Herbert James Draper
Clyties of the Mist by Herbert James Draper
Moonbeams by Evelyn DeMorgan NT; (c) Knightshayes Court; Supplied by The Public Catalogue Foundation
Moonbeams by Evelyn DeMorgan NT; (c) Knightshayes Court; Supplied by The Public Catalogue Foundation
The Storm Spirits by Evelyn DeMorgan
The Storm Spirits by Evelyn DeMorgan

Out of the Tree

There is something artistically appealing about the lines of a human figure blending with or emerging from the lines of a tree trunk and branches.

The Dryad by Evelyn De Morgan
The Dryad by Evelyn De Morgan
The Tree of Forgiveness by Edward Burne-Jones
The Tree of Forgiveness by Edward Burne-Jones

The only way I can think of to conclude this series and segway into other topics is to quote Monty Python. “And now for something completely different…”

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2 thoughts on “Mythology on Canvas (Part 17)”

  1. Ahem. Segue, not Segway.
    Three also, as you know, has many associations in faith, myth and folk tale: Three Fates, Holy Trinity, virgin, mother, crone, Three Billy Goats Gruff, etc.
    Really enjoyed this series. look forward to what you do next.

    Liked by 2 people

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