Ancient To Modern: Borrowed Gods (4)

Loki

In Norse mythology, Loki is a shape-shifter (hence, a trickster) who is ascribed various powers in different versions or accounts. He is sometimes described as helping the other members of the Norse Pantheon and sometimes as working against them. This diversity makes him nuanced and interesting. In the original myths, he is completely unrelated to Odin, Freya, and Thor.

Loki shown in an 18th Century Icelandic manuscript.

The punishment of Loki by Louis Huard (1813-1874).

Loki and Sigyn (1863) by Marten Eskil Winge.

This Norse god has been skillfully re-written in Marvel Comics. In their version, he is the adopted son of Odin and Frigga (Freya) and the envious stepbrother of Thor.

Credit: Marvel Comics

This unavoidably sets him at odds with the Avengers (get a load of the old Iron Man).

Credit: Marvel Comics

The imagery for this character has been  effectively re-invented in the comics. Below is a later version.

Credit: Marvel Comics

Disney Marvel also got Loki’s imagery right, and Tom Hiddleston excellently portrays him in the movies. In my opinion, he has become one of the best villains in cinematic history.

From The Avengers (2012), directed by Joss Whedon.

“Marvel’s Thor: The Dark World” (2013, directed by Alan Taylor)
Loki (Tom Hiddleston)
Ph: Film Frame
© 2013 MVLFFLLC. TM & © 2013 Marvel. All Rights Reserved.

We’ll look at one more Norse god next week and then move back to the Greek pantheon.

 

Ancient To Modern: Borrowed Gods (2)

Continuing on in our series, let’s take a look at…

Credit: Marvel Comics

Freya

Actually, this goddess has a number of appellations and spellings as can be seen in some of my image captions. Also called Frigga in the Marvel Universe, she is the goddess of love, sex, fertility, beauty, war, death, etc. As you can see, their is some redundancy of function between the members of the Norse pantheon. Freya is the wife of Odin and the mother of Thor. Below is a depiction of her flyting with the god Loki. Flyting would have been called “playing the dozens” in the not too distant past of the American inner city. In the 1970s, my friends and I called it “firing” on each other when we were in high school. As this picture suggests, this is a fairly widespread sport throughout history.

Freya and Loki flyte (exchange insults) in this illustration by Lorenz Frolich (1895).

Here is another representation by John Bauer.

Freja by John Bauer (1882-1918).

Moving on to the comics, a prominent expression of modern mythology…

Credit: Marvel Comics

Credit: Marvel Comics

… we finally arrive at the movies of the Disney Marvel Franchise, where Freya is played by Renee Russo.

Freya (Renee Russo) from Thor (2011), directed by Kenneth Branaugh

From Thor: The Dark World (2013), directed by Alan Taylor.

(to be continued)

The Modern Pantheon: Loki

“Marvel’s Thor: The Dark World” (2013, directed by Alan Taylor)
Loki (Tom Hiddleston)
Ph: Film Frame
© 2013 MVLFFLLC. TM & © 2013 Marvel. All Rights Reserved.

Loki (played magnificently by Tom Hiddleston) is a god. Just ask him:

The above scene from The Avengers (2012, directed by Joss Whedon), in which Loki’s argument is rendered moot by the Hulk, reminds me of a passage from the second chapter of Orthodoxy by G. K. Chesterton (perhaps my favorite author).

“So you are the Creator and Redeemer of the world: but what a small world it must be! What a little heaven you must inhabit, with angels no bigger than butterflies! How sad it must be to be God; and an inadequate God! Is there really no life fuller and no love more marvellous than yours; and is it really in your small and painful pity that all flesh must put its faith? How much happier you would be, how much more of you there would be, if the hammer of a higher God could smash your small cosmos, scattering the stars like spangles, and leave you in the open, free like other men to look up as well as down!”

This kind of ambition – to dominate, to subjugate, to exalt oneself above others – is madness. By human standards, it may even be seen as an entirely reasonable madness. Chesterton again:

The madman is not the man who has lost his reason. The madman is the man who has lost everything but his reason.

And the cure?

I mean that if you or I were dealing with a mind that is growing morbid, we should be chiefly concerned not so much to give it arguments as to give it air, to convince it that there was something cleaner and cooler outside the suffocation of a single argument.

In various ways, I suppose we are all mad, that we all consider ourselves gods. Time to breathe, Loki. Otherwise, yourself is all you get.