Tag Archives: Artemis

The Goddess Mentality – Part 2

For those whose ire might have been raised by last week’s post, please keep in mind that I am posing questions to stimulate thought and that I have settled on few, if any, answers to which I would care to commit. The questions I am raising have occurred to me in the course of observing the society and culture in which I live. I was noting an apparent increase in the acceptance of the goddess mentality since the 1960s. I am not referring to the appropriation of “goddess” as a term to deal with contemporary women’s issues. That is a matter of artistic and literary taste, and it can be quite clever. It also affords opportunity for the redefinition of the term.

Artemis by Michael C. Hayes
Artemis by Michael C. Hayes

I am referring to more overt examples from the world of fantasy. I have read that strong female characters in literature, comics, and movies can be empowering to girls and young women (not to mention their elders), so please allow me to repeat some questions and pose some more. Are women being let down by a version of feminism that isolates them from older societal protections, thus making them more vulnerable to male exploitation? Is the offering of such protections in itself demeaning or degrading? Is the adoption of exaggerated role models from fantasy also degrading in that it could represent weakness in real life? Since some protections can be used to restrict the freedom of women, and since I have advocated the use of fantasy as a perspective from which to address reality more effectively, I have no definitive answers to these questions. As with so many things, the efficacy of fantasy depends on how it is used.

Photo credit: Yaro Jane Photography
Photo credit: Yaro Jane Photography

 

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Artist: Alex Ross (Credit: DC Comics)
Artist: Alex Ross (Credit: DC Comics)

One trend that has caused me some concern is the extolling of a feminine superhero ( in essence, a type of goddess or demigoddess) as “bad ass.” After all, what’s wrong with a female character who can kick a substantial amount of masculine derriere? Strictly for purposes of entertainment, I see nothing inherently wrong with this if it is done tastefully. When such imagery is employed as a sense of empowerment, however, things can get a bit more dicey.  Perhaps whether or not this is healthy is a matter of degree.

Wonder Woman by William Moulton Marston and H. G. Peter, Sensation Comics (credit: DC Comics)
Wonder Woman by William Moulton Marston and H. G. Peter, Sensation Comics (credit: DC Comics)
Credit: DC Comics
Credit: DC Comics
Artist: Alex Ross (Credit: DC Comics)
Artist: Alex Ross (Credit: DC Comics)

Oh, well. I’ve basically exhausted my self-imposed quota for words this week. I think I can wrap this up with one more post. Typical male attitude, huh?

Graphic Mythology: Wonder Woman

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It’s time to come full-circle.  Since I started this series, enough time has elapsed for me to do some background research on Wonder Woman, a character that I read about only a little when I was a boy. I will date myself by mentioning that I remember the Silver Age of comics when each issue cost only ten cents. That was also my weekly allowance, and I would walk two blocks to Sullivan’s drugstore on the north side of Indianapolis to purchase the latest issue of Superman. Not much of a surprise there, but Wonder Woman was neglected.

There is more material about her than I originally thought. I mentioned in the first post of this series the original date of her release, and I honestly didn’t realize how long she had been around (since 1941). So let’s do the obvious first by going over her backstory. It is based in part on some concepts from Greek mythology.

Wonder Woman by Alex Ross
Wonder Woman by Alex Ross

In 1200 B. C. the Amazons were supposedly created by Greek goddesses as the reincarnated souls of women who had been murdered by men. One soul (the unborn daughter of the first of these women) was “saved back” to be “born”. This happened in the 20th Century when her mother, Queen Hippolyta, was told to mold clay from Paradise Island into the likeness of a baby girl. The daughter, Princess Diana of Themyscira, was endowed by the gods with various powers and traits.

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Demeter gives her strength, Athena wisdom (not always evident in later portrayals) and courage, Artemis a hunter’s heart and communion with animals, Aphrodite beauty and a loving heart, Hiesta “sisterhood with fire” (not quite sure exactly what that one means), and Hermes speed and the ability to fly. She is later sent from Paradise Island and into the world as an emissary to mankind. Her secret identity is Diana Prince.

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She is allegedly a feminist superhero, but her real world creation is a nuanced story. There is a backstory to the backstory. More next week.

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