Mythology In Space (Part 9)

Based on the cultural monster this franchise has become, I will be up front by saying that I’m enjoying the Star Wars revival. I’m not a purist. I don’t derive deep meaning from these movies, and I’m certainly not looking for anything innovative or groundbreaking. You can normally buy me off with better special effects, but I do find substance in the story lines up to this point. In Star Wars: The Last Jedi, the familiar, dare I say  spiritual, themes are still there, and the old formula still works. Stuff happens, stuff gets blown up, and you meet (and say goodbye to) some interesting characters along the way.

Let’s get this straight. The Disney business model is focused on not just making a lot of money but on making more than a lot of money. That’s why this next round of trilogies and spinoffs exists, so those seeking cultural enlightenment, the meaning of life, and inner peace might want to look elsewhere. The reason I like these movies is that they’re entertaining and fun, and it’s hard to top their visual impact live and on the big screen. This practically founded the genre that my wife and I jokingly refer to as “explosions in space,” not that either of us is pretending to have invented the term.

 

Disney inherited/bought some very iconic imagery, and the main allure for me from the beginning was to see it updated with better special effects. In this, I was not disappointed.

I also did something I had never done before. I went on opening night rather than waiting until the crowds thinned out, so I enjoyed the communal experience of sitting with enthusiastic fans in a theater after standing with them in line.

A good nucleus of new characters has formed and continues to form. In addition to Rey (Daisy Ridley), Finn (John Boyega), Kylo Ren (Adam Driver), and Poe (Oscar Isaac), there was the pleasantly surprising addition of Rose Tico, a genuinely interesting character played admirably by Kelly Marie Tran.

Throw in the old standbys of Luke Skywalker (Mark Hamill) and Leia (Carrie Fisher) with some good performances by Benicio del Toro, Laura Dern and Domhnall Gleeson, and you have a packed cast. With so many characters, I can understand why they couldn’t all be developed in a limited run time which is still longer than two hours.

I enjoyed the visual and conversational nuance of Snoke (voiced by Andy Serkis) …

… and a blast from the past by Frank Oz still doing the voice of Yoda (or rather his spirit). To see and hear him again good it is.

The jaded portrayal of Luke Skywalker was intriguing, and seeing his spiritual reawakening was compelling if not fully explained. Mark Hamill also got to display some acting chops.

The backstories of Rey and Kylo Ren, as well as their continuing development are and evidently will continue to be a central theme.

I was almost expecting Kylo to break into a chorus of “Oops, I Did It Again,” but better twists were afoot.

There were some unexpected plot developments, and this keeps the overall story arc from getting stale. That’s all I can say for fear of spoiling anything for those who have not yet seen the movie. As for minor criticisms, there were logical inconsistencies concerning the operation of The Force and who is more powerful at any given moment. In other words, it was like every other movie I have seen in the Star Wars franchise. I am aware that many people have unanswered questions, and I have one of my own: Who cares? I had fun at this one, and I’ll go to the next. Disney will make more than a lot of money, so it’s a win-win all around.

Mythology In Space: Part 3

All pictures from Star Wars: The Force Awakens (2015), directed by J. J. Abrams

I feel no particular need to repeat everything that so many have already said about Star Wars: The Force Awakens. I enjoyed this movie. No, I REALLY enjoyed this movie. The special effects are right, and adequate fan service is paid. Oh, yeah – the spaceships are still cool and more “realistic” than ever. Chewbacca (still played by Peter Mayhew), C-3PO (still played by Anthony Daniels), and R2D2 (for whom Kenny Baker is still involved, this time serving as a consultant) are their lovable, familiar selves. Han Solo (Harrison Ford) and Princess Leia (Carrie Fisher)  are poignantly compelling in their maturity.

But as I mentioned in last week’s post, I want to concentrate on two themes:

1. the origin of evil
2. spiritual development

Much could be said in regard to these themes, but I’ll concentrate on two new characters:

Kylo Ren – Oh, he’s evil, but he’s also a temperamental adolescent or post-adolescent who’s not yet fully on his game. The main question I have relates to the first theme. We know that he became evil, but we don’t know why  given that his parents were essentially good.

More specifically how did he (as played by Adam Driver) get to the depraved state in which he could do what he did near the end of the movie? Even Darth Vader had turned out alright in the end, for crying out loud (which a middle-aged fellow sitting near me in the theater nearly did).

Rey – This character (played by Daisy Ridley) interested me for three reasons. First, she is a charming, admirable, gutty, and very feminine (but in an unconventional way) action hero.

Second, she and Han Solo have a good teacher-pupil relationship until… well, you know.

Third, concerning the second theme, I was delighted to watch her intuitive discovery of her spiritual prowess, especially during her mental face-off with Kylo Ren. The light saber fight wasn’t bad, either.

It is probably obvious by now that I found her the most compelling character. I’m a father with daughters, and I teach at a women’s college. I’ll make a bold prediction: this kid is going places.

Am I forgetting something? Right. Luke Skywalker (Mark Hamill) is still cool, too.

Mythology In Space: Part 2

Back when they came out, I considered the movies of the original Star Wars trilogy to be fun, visually impressive, and little more than that. On further reflection, I have realized that these did two things I think good movies should do: (1) make me think about them the day after I see them and (2) cause me to ask questions that go beyond the obvious statements in the script.  When a cinematic experience is at its best, we do more than watch. We also interact on some level. We assign our own meanings to the work, and we often reflect on our own lives.

Having said this, I would like to mention some themes from the original trilogy. These may or may not have been intended by the directors, writers, and producers of the movies, but that doesn’t really matter to me. What does matter is that they pulled me in far enough for me to get invested, to be stimulated to think. So here are what I would call (if nothing else)  a couple of THEMES IN MY HEAD. Readers may disagree, but let me remind you that you have just entered MY universe.

The first theme is the origin of evil. This can be thought of on at least three levels: in itself, in the individual, and in the group. The origin of evil in itself is something which challenges my Christian mindset since I believe in a benevolent creator. George Lucas said in at least one interview that he was interested in religions as plot and theme elements, including eastern religions in which this theological snag would not present the same problem. The origins of evil in the individual and the group lead us into psychology, sociology, and ethics. In other words, why do the characters in the story behave as they do? How Anakin Skywalker became Darth Vader was an interesting question which was not answered by the original trilogy.

The second theme is spiritual development. Luke Skywalker learns that he has a strong connection to The Force, and a significant amount of screen time is devoted to how he learns to grow in his capability. His tutelage comes at the hands of Obi Wan Kenobi and then Yoda. Also this learning process folds back onto the first theme in those instances when he is tempted to succumb to the Dark Side of the force.

I said last week that I was going to make you wait for it, but next week we’ll get into the new Star Wars movie, especially in light of these two themes.

Mythology In Space: Part 1

I wanted to wait until the hype about Star Wars: The Force Awakens had died down (well, maybe it has a little) before mentioning it in my blog. Having said that, I won’t write about it this week. I’m going to make you wait for it. Instead, I’d like to offer some observations about the original trilogy (episodes IV-VI). Is there a better starting point for a series entitled Mythology in Space? So before I go any further, here ‘s the obligatory photo:

From Star Wars: A New Hope (1977), written and directed by George Lucas

What I was asking myself was why this franchise was so popular. Since I’m old enough, I went back in my mind to 1977 (the year this movie was released) and remembered how it had impressed me a long time ago in a state far, far away. Here, then, is my list of reasons:

1. The light and dark sides of The Force (whose meanings are claimed by Christians and practitioners of eastern religions alike) were compelling spiritual concepts. Even in my profession of academia, professors across this great nation refer to colleagues who have gone into administration as having crossed over to the dark side.
2. The Jedi and their counterparts have telepathic and telekinetic powers. Along with The Force, these added a new dimension to the science fiction genre.
3. Darth Vader (played by David Prowse, voiced by James Earl Jones, and played by Sebastian Shaw when the helmet is finally removed) is one of the all time great villains in cinematic history. The Emperor (Ian McDiamid) is also noteworthy.
4. Obi-Wan Kenobi (the venerable Alec Guinness) and Luke Skywalker (Mark Hamill) are cool. So are Princess Leia (Carrie Fisher), Han Solo (Harrison Ford),  Chewbacca (Peter Mayhew), and Yoda (voiced by Frank Oz). In other words, the characters are memorable.
5. So that diehard fans don’t get mad at me, C-3PO (Anthony Daniels) and R2-D2 (Kenny Baker) were cool, too.
6. The spaceships, the Death Star, and all the other space machinery were cool, and the special effects used to bring them and their battles to the big screen were groundbreaking for their time.
7. Lightsabers are definitely cool, even their sound. I mean, who wouldn’t want one in a fight?
8. It was a good story. The plot was compelling.

I’d better stop here. The more I write, the greater the chance that fans better versed than I will find grounds to correct me. A quick look at this insufficient list will show that the iconic imagery, concepts, and characters are extensive. Lest we blame George Lucas eternally for the second trilogy (which came before the first?), let us remember that this piece of cultural history was his creation and that he wrote and directed the first installment (which turned out pretty well). After all, even a damaged Death Star is impressive.

Star Wars: Episode IV – A New Hope
Death Star